I painted this as a commentary on Christ's response to disability in John 9. He states that the blind man was not born blind because he sinned, but so that the works of God would be revealed in him. This was so cathartic to paint.
Mortal Elvarelyn is telling Erik & Abigail about her life when she was an Alceridian demon before Qasaherim exiled her whilst Bernard scowls at them at the same moment when Gerard is reading the Bible.this is actually the first drawing I worked on CSP but it took me weeks to finally finish the background since im not too keen on drawing them.I even drew a house (it's the first time in years actually)it looks shabby but then again lots of peasant houses were shabby and small.
Acrylic on Paper. I painted this as an exercise, fully expecting to fail, but walked away with this nifty piece instead. I've recently been growing a lot in my painting ability, and this was a big victory for me.
The guy who revived Jack, Dave, and Henry (DSaF 4 fan stuff) wears the Chica mascot suit, because he knew nobody else would wear it. Here he is, up on stage. Not while the pizzeria was open, of course --- the children would go nuts. He isn't wearing his mask he usually wears out-of-suit because it would be hard to keep the Chica head down. Uh, if you know what I mean. Two masks on at the same time = bad. Drawn with FireAlpaca. Also, the big says "Let's Cry", which is just for laughs. Something like that would work in a DSaF game.
I copied this off of an artwork I found online, and hopefully it will improve my eye drawing capabilities... please, if you have any feedback, comment away! :)
Sketch from lunch break in between work-hours (poor quality sketch/photo). unrelated: I walk home from work 3/5 days every week, and I have leveled up a social link with a kind old stranger I frequently see /occasionally talk with on the walks home. This will unlock the good ending later, though I'm not sure what that ending is. Just hope it happens soon.
"Whirlwind 22”, an original drawing. Micron pens on archival paper. Size: 4” x 6”. Title, signature, and date in the back of the drawing. This drawing is the 22nd in a series of drawings posted over a period of 100 days. The original post date on this drawing was September 22, 2020.
A cartographic representation of the experience of moving to a new city in a foreign land. This work, dubbed as 'Introspectionism', provides the viewer with a snapshot over time of the inner workings of the process of the strange becoming slowly more familiar and the foreign becoming Home.
Face homework. This was following a couple of super uncomfortable hours trying to draw people moving in videos, which was such a struggle for me (and my deepest art desire right now!).
I think the best time of the weekend is driving home from work on Friday evening and thinking of all the potential of the weekend. Time to draw, paint, hang with family and friends and thank God for blessings.
I did this artwork for a public art exhibition called "Home is where the Art is". Initially the drawing was supposed to just be a open mouth with a snake coming out of it but I felt that it lacked a story and a strong enough message so I drew the other snakes on and added the 2 other faces. The story behind this image is entirely up to the viewer but my take on it was that different people react differently to certain information, my main focus was the distribution of secrets and since many teenager refer to people that let their secrets loose as snakes I thought why not depict it in that form. The drawing displays three reactions to learning another's secret, one passes the secret on to another, the other defends it ferociously in your face but lets it slip loose when nobodies looking and the other receives the information and holds onto it
"Whirlwind 18”, an original drawing. Micron pens on archival paper. Size: 5” x 7”. Title, signature, and date in the back of the drawing. This drawing is the 18th in a series of drawings posted over a period of 100 days. The original post date on this drawing was September 18, 2020.
This drawing, with a bit of watercolour, was done years ago in North Vancouver during a figure drawing session. Probably 15 - 20 minutes. Watercolour, subtly employed, can have wonderful affects. The challenge of working fast forced me to ditch excess thinking. And it's funny, because at first I thought, "Oh, this is terrible." Then the next day, with fresh eyes, or checking out the drawing in a mirror, I think, "Wow! How did I not see how good this is?" Never throw out your artwork immediately after a drawing session. Give them a few days and look at your work with fresh eyes.
"Whirlwind 17”, an original drawing. Micron pens on archival paper. Size: 4” x 6”. Title, signature, and date in the back of the drawing. This drawing is the 17th in a series of drawings posted over a period of 100 days. The original post date on this drawing was September 17, 2020.
