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composition

Guilhem Guilhem
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Abstract Composition

Abstract Composition

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Sabina Hahn Sabina Hahn
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Igor Stravinsky

Igor Stravinsky (1882–1971) “I get up at about eight, do physical exercises, then work without a break from nine till one,” Stravinsky told an interviewer in 1924. Generally, three hours of composition were the most he could manage in a day, although he would do less demanding tasks—writing letters, copying scores, practicing the piano—in the afternoon. Unless he was touring, Stravinsky worked on his compositions daily, with or without inspiration, he said. He required solitude for the task, and always closed the windows of his studio before he began: “I have never been able to compose unless sure that no one could hear me.” If he felt blocked, the composer might execute a brief headstand, which, he said, “rests the head and clears the brain.” - From Daily Rituals: How Artists Work by Mason Currey

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Caden Hoyt Caden Hoyt
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Tenzing Norgay

Really working on the composition of a face, trying to draw it as a whole face rather than as the separate parts of a face Still need some practice but I'm not unhappy with the result

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Psylent Psylent
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Thorny Mess

Abstract composition of thorns or horns on sour keys/soothers. Pen and paper drawing.

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Jasmin Jasmin
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Inktober 1 - Crystal

I decided to explore negative space, hoping to develop a better sense of composition.

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Godel Santos Godel Santos
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study

study of anatomy n composition,,,no reference,,,

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Josh Gee Josh Gee
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Repurposed Composition Notebook

If you have any friends that ever watched the Anime / Manga Death Note .... Then , please, in the name and for the love of GOD , please prank them by placing one of these near them so they find it ! Oh.... I really need to do this , to like all my friends, IF I HAD THEM ! LOL .... Dudes, almost didn't upload today ,,, have a sweet Thanksgiving ya'll .

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Carolyn S. Pio Carolyn S. Pio
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Vitruvian Women

I have been wanting to explore the concept of creating a Vitruvian Women. Also felt like I struggled with the composition of the Reflect piece (which I am working on developing a series). Hence trying to learn from the best - in a scientific way:)

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Lena Zvereva Lena Zvereva
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The final hand lettering composition.

The complete first task of my lettering course. I thought maybe wait for the critique and refining it it before uploading here. Yet the suggested changes would make a whole different work.

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Kathryn Shuff Kathryn Shuff
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Black and Yellow III

Digging through some mid-century and art nouveau pieces to put the composition together for this one.

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Ny Nguyen Ny Nguyen
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Inktober 2018, Day 1

The topic is poisonous. I went with an Io moth caterpillar. I've also hidden a 1 in the composition. Spot the 1!

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Sabina Hahn Sabina Hahn
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In a chinatown supermarket

Now that I started to draw my photos, I noticed that I started taking different pictures. I am taking fewer "good" pictures - composition, color all went out the window. Instead, I am taking pictures of things that made me happy or just tickled my fancy. A stack of blinis, made from my great-aunt's recipe. A book that I accidentally discovered that is so weird and funny. A secret compartment in the wall in a supermarket.

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Steven Steven
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Pisces Koi

"Pisces Koi" is a bold and intricate black-and-white ink piece that blends symbolism with fluid motion. A koi fish, known for its resilience and transformation, weaves through a bed of blooming roses, creating a contrast between movement and stillness. The fine details in the scales and petals bring depth, making the composition feel alive. The upward motion of the koi echoes the legend of perseverance—where a koi swimming upstream becomes a dragon—mirroring the Pisces spirit of adaptation and ambition. The roses introduce another layer, possibly symbolizing beauty, personal growth, or challenges that shape us. This piece captures a sense of quiet strength and fluidity, speaking to those drawn to themes of transformation, water energy, and the balance between struggle and grace.

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Maureen Venville Maureen Venville
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Re-living the Dream

Intuitive painting in acrylic. 61 x 61 cm. Characters evolved as I worked and turned into a somewhat dreamlike composition. My love of colours and composition and the quirkiness of the contents makes this a very entertaining work.

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Maureen Venville Maureen Venville
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Moon Lady

"Moon Lady" Acrylic on canvas 61 x 61 cm. Intuitive work. This painting wasn't planned. My art evolves as I work. I am obsessed with colour and composition. All shapes and colours are edited as I work.

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Enitsirhc Enitsirhc
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Grape Juice for Adults

Capturing the gradual process of turning grapes to wine in the form of color transition and solid-liquid state transition compositions

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Spearmint Chalk Spearmint Chalk
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The Fall of the Tower of Babble

I take a lot of Genesis as an allegory for birth and maturation, both individually and collectively. The Garden of Eden could easily be interpreted as the womb, and we are all cast out of it at some point. Genesis 2:24 says "This is why a man leaves his father and mother and bonds with his wife, and they become one flesh." Though people use this passage to refer to the tradition of marriage, I think that it speaks to something much, much deeper than that. Literally, when two people copulate, they create a child that is of one flesh. They do not "become one flesh" because they engage in a ritual institution and are now "to be viewed as comprising a single identity," but they literally become one flesh because their genetic compositions are joined into a new being (Mark 10:8 and the two shall become one flesh.’ So they are no longer two but one flesh. 9 What therefore God has joined together, let no man separate.”). That being said, I read somewhere once that babies born in every part of the world make phonetic sounds from pretty much every language in the world. It is only after a period of time that they start to key in on certain sounds that the people around them are making, and it is only after that that children key in enough to start developing more advanced language skills (typically). However, in this original state, there is a freedom. There are no assumptions. There is an innocence in that state. There is a lack of judgement. There comes a point at which babies/young children begin to mimic and to incorporate what they are experiencing from the creatures around them into themselves. To small creatures with an undeveloped sense of self or reality, the caregivers around them may as well be gods, at least from their perspective. They will learn from these gods around them and will begin to embody their cultural beliefs, their language, their idiosyncrasies, and their perceptions, often on a deeply unconscious level. Adults contribute to that quite thoroughly and somewhat consciously. (Genesis 1:26 Then God said, “Let Us make mankind in Our image, according to Our likeness..") (Genesis 11:7 7 Go to, let us go down, and there confound their language, that they may not understand one another's speech.) In our own way as individuals, we are each a Tower of Babel, and at some point, for each of us, that Tower fell. Barriers to communication of so many kinds were created for and/or by us. Perhaps we still spend time constructing new barriers and thinking up new ways to distance ourselves from the rest of our kind. I chose to use the phrase "materialism" to express how children engender these attributes of caregivers and others alike. However, this can easily be exchanged for a phrase like "socialism," or "corporate capitalism," or nearly any other thing that you can probably think of. Children are like sponges. They soak up even more than we realize. Most widespread religions in the world have some form of renunciation belief or ritual wherein an individual must 'cast off' the old self and put on the new. This is because, regardless of where or when a child is born in the world, the perspectives of the people around them raising them will likely leave much to be desired. It is necessary for beings to continue to learn, and this often entails a serious consideration of what was instilled into them at an earlier time. It is quintessential that we question and evaluate these things since the state of the world will have changed by the time that we reach maturation. The ideas that people gave us may apply to a world that is already different. The story of the Tower of Babel may refer to a state that earlier humans lived in, perhaps on a shared continent, in which the manners in which they communicated were similar. Then, at some point, perhaps these same peoples went off on their travels and developed new languages. In a funny way, we seem to do that as individuals. At some point, we strike out on our own, even if only a little. Though we may differ on surface level behaviors and in the symbols that we use to describe the human experience, human beings are more or less fundamentally the same. We let our differences create so, so, so many barriers between ourselves and other beings. Just think of all of the harm that things like xenophobia, racism, intolerance, and a lack of an ability to communicate verbally with one another have done to our species. Even beyond that, just think of how easily we dismiss the inner lives and inner experiences of creatures different than ourselves simply because they do not communicate verbally with us in our preferred tongue. Research is overwhelmingly in support of other beings communicating with others of their kind, whether we as individuals acknowledge it or not.. Some of us are just really into denial about it. We could achieve remarkably wonderful things, if only we would learn to recognize the similarities of our experiences. (Matthew 19:6 So they are no longer two, but one flesh. Therefore what God has joined together, let no one separate.”)

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erik cheung erik cheung
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Figurine

The form of Martial Arts introduced by Bruce Lee embraces `being formless’ as a central idea. Sharing this belief, my works do not start with an intention of what to make, but rather the process is to follow-through to what the works wish to become. In Jeet Kun To, the practice is to `be water’, to react and to blend. Instead of following the artist’s desire to direct the brush, I enhance, without an intention to change or render. The composition dropped from elsewhere as a message and is polished to shine.

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Art Craft Land Art Craft Land
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Flip flops heart

The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “. Some of her work focuses on women, and they incorporate criticism and cultural protest. Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia. Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics. The structural composition of some of the works is influenced also by her many years of working in the architects’ office. Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.

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Art Craft Land Art Craft Land
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Home by Jaffa Meir

The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “. Some of her work focuses on women, and they incorporate criticism and cultural protest. Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia. Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics. The structural composition of some of the works is influenced also by her many years of working in the architects’ office. Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.

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Sneezy Sneezy
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VOLCANA

VOLCANA (MARVEL COMICS) DONE 2015. ORIGINAL ART WAS THROWN AWAY Marsha Rosenberg was born in Denver, Colorado. She was a day care center employee who, along with her friend Skeeter, was among the residents of Denver transported to the Beyonder's "Battleworld" during Marvel Comics' first Secret Wars limited series. Seeking power and respect, she and Skeeter agreed to serve Doctor Doom in exchange for super powers. Doctor Doom had learned how to operate a machine utilizing alien technology. He used it to grant Rosenberg the ability to transform into a molten lava form with powerful thermal energy blasts, hence her codename "Volcana". She allied herself with Doctor Doom and the criminal faction and battled the She-Hulk in a confrontation with the heroic faction.[1] During the series, she developed a relationship with the supervillain Molecule Man, Owen Reece.[2] She bargained with the Enchantress,[3] and then battled the Enchantress with the intent to renege on her bargain.[4] During the Secret Wars II limited series, Marsha was residing back on Earth with Owen Reece. They hosted the Beyonder upon his arrival on Earth.[5] She tricked the Molecule Man into challenging the Beyonder[6] and then participated in the defeat of the Beyonder.[7] Some time later she accompanied the Molecule Man and the Fantastic Four to the Beyonder's universe. She separated from the Molecule Man when he apparently became irrevocably merged into another "cosmic cube" along with the Beyonder. Unlike her friend Skeeter who became the supervillainess Titania, Marsha did some superhero work.[8] She battled the Wizard[9] and Moonstone.[10] Volcana assisted the Avengers in repairing the damage to the Earth's crust caused by the Beyonder.[11] Volcana later took a comatose Molecule Man to the army hospital. After Molecule Man recovered, he turned the tent they were in into a hot air balloon as Captain Marvel's hologram wanted to talk. Volcana destroyed the projection. Because of the Silver Surfer, Volcana and Molecule Man were redirected to the Avengers and the Fantastic Four. After a brief fight, Molecule Man and Volcana were allowed to return to their apartment in Denver.[12] Later, she was briefly reunited with a de-powered Molecule Man (who had mysteriously returned to Earth) and battled Klaw. It was at that time that she gained the ability to assume volcanic rock and volcanic ash forms. She subsequently discovered that, just before his supposed "death," Molecule Man had secretly "willed" her a portion of his reality-warping power, and it was this power that gave her the ability to manifest these other forms at critical times, just when she needed them. Once he regained his power from her, she found herself no longer able to tolerate the darker side of his personality. She terminated their relationship, although Molecule Man vowed to one day prove his full love to her.[13] After losing a lot of weight, Volcana attended the wedding of Absorbing Man and Titania. Marsha discovered that Molecule Man was also invited. When Volcana went to check up on Titania following the supervillain attendees' fight with She-Hulk, she encountered Crystal, and Hydro-Man arrived to help Volcana until Crystal was defeated by Molecule Man.[14] Molecule Man still pined for Volcana. He captured Doc Samson, and after a fight with Doc Samson and She-Hulk, Molecule Man escaped and used his powers to carve Volcana's face in Mount Rushmore. Marsha saw the news of this on TV but did not suspect that Molecule Man was who made it happen.[15] During the "Fear Itself" storyline, Titania commented how Volcana just came along for the ride back when Titania was brought to Battleworld as she tells Dr. Wooster at the Farnum Observational Facility in Upstate New York.[16] Nightwatch later hired Volcana and Titania to fight She-Hulk in order to keep her from getting the documents that would incriminate him. With the help of her secretary Angie Huang, her supernatural monkey Hei Hei, and Hellcat, She-Hulk was able to defeat them with Huang redirecting Volcana's fire attack back to Volcana enough to melt her.[17] Powers and abilities Marsha Rosenberg gained superhuman powers through genetic manipulation by highly advanced technology performed by Doctor Doom. As Volcana, she originally had the ability to convert her entire body into a plasma form, in which she blazes with white-hot intensity, at times setting aflame any surface beneath her. In her human form, the 6 ft 5 in (1.96 m)[citation needed] tall Marsha has long black hair, and often wears only her magenta-colored swimsuit; her clothing is manufactured from unstable molecules, thus it is not destroyed when she is in her plasma form. The alien technology that empowered her makes her powers totally undetectable when she is in human form. Her plasma form grants her superhuman durability and consists of highly charged particles which surround her in white-hot flame and is able to emit controlled bursts of thermal energy up to 40 ft (12 m).[citation needed] She later gained the ability to convert her body into a stone form, a volcanic rock (basalt)-like composition which still enables movement and grants her superhuman strength. She subsequently gained an ash form, a volcanic ash (pumice)-like composition whose configuration she can shift, shape and control at will. Volcana cannot make partial transformations; she can possess the attributes of only one of her forms at a time. Monitoring devices subcutaneously implanted by Doctor Doom can be triggered to stimulate the aggression centers of her brain.

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Pankaj Pankaj
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eBay Logo Redesign

We improved visually eBay logo composition and concept for the next position. It is a dummy project. Need a logo design? Email evenflowstudio@gmail.com

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Joyia Echols Joyia Echols
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Light and Shadow Studies

I've been looking at film stills and using them as a basis to understand how light and shadow can work effectively in a composition.

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Godel Santos Godel Santos
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Arcane search comunity

oil n pencil,,,,composition fantasy landscape ,,,hope you like!!

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Jeff Brown Jeff Brown
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Based on one of Hakusais View of Mt. Fuji

Working on composition. I really like the work of the Japanese masters.

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Ryan Ryan
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Earth meets Sky

Another practice piece with watercolor. I wouldn't mind revisiting this composition later once I actually know what I'm doing with the medium.

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erik cheung erik cheung
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Danse Macabre

These figures found must cast some meanings from my subconscious. They simply came and as a whole composition! I uploaded a full description on youtube giving them individual names, mostly ghostly. This piece contains a spooky atmosphere stronger than the others and remains one of my favorites, probably because better works come effortless.

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Joe Blend Joe Blend
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THE MAGIC OF ART

All the elements were drawn by hand, with Prismacolor markers used to create what would be vastly contrasting tones after b/w conversion. The composition and b/w conversion were done in Adobe Photoshop. © 2016 Joe Blend. All rights reserved

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Thich Minh Bao Thich Minh Bao
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Sexy girl

The photo captures a shimmering, festive Christmas moment with a beautiful young woman posing in front of a lavishly decorated Christmas tree. She is wearing a glamorous outfit consisting of a sparkling butterfly-shaped crop top and a short white skirt, paired with elegant high heels. The surrounding space exudes a warm, cozy atmosphere with wooden walls, vibrant red ornaments, and green-and-red pennant banners hanging above, creating a lively holiday scene. A black chair nearby, along with festive decorations like a fabric Santa Claus and candy canes, enhances the Christmas spirit. The woman in the image radiates a gentle yet captivating beauty, with her long, flowing black hair and a charming sideways gaze. The combination of modern fashion and a classic holiday setting creates a stunning composition, evoking a sense of warmth and romance. This image is copyrighted and DMCA registered. I strictly prohibit all of you from posting this image on other online forums. If I discover it, you will receive some reports from me. Contact me via: thichminhbaovn@gmail.com

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erik cheung erik cheung
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The Golden Idol

This picture, among my many others, was created by following the doodle lines made in a minute. The figure and composition was FOUND from the loops in between... without alterations. https://youtu.be/xOa42BwxOx4

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