This Is a cousin to the Shoebill Stork, his name Is Bootstrap Bill. (My Imagination for this one Is through the roof, and I'm extremely funny right??) Hahah.....ahahah?... .... .
Starring Richard O'Brian: Science Fiction Double Feature (1975). Let me tell you a story about watching classic science fiction movies in the cinema. About sitting in the backrow. About the day the earth stood still. About what went wrong for Faye Wraye and King Kong. Tricolor linoprint using one linoplate. November, 2020.
This is old (2007). I used to work at the ad agency that had the Harley-Davidson account for a number of years. I always carry around a Moleskine sketchbook and take meeting notes on one side while doodling on the page next to it. This doodle ended up being used extensively in the Harley-Davidson "Dark Custom" campaign as well as on a line of Dark Custom Motorclothes.
It say's "FUCK YEAH" in it and they never noticed. :)
I have had so many nightmares. But when you break them down, turns out they were never nightmares. It was just my subconscious trying to process what I have been going through emotionally. The brain doesn't register fictional, emotion is emotion. My emotions, my mind and my soul have been processing so much. But if fuels my comic and my art. So when I stand in the dreaming realm, I tell it to bring it on. I will just use the twisted and bizarre to create.
Soo...This was actually supposed to be alot more happier and brighter. But I accidentally made a mistake with her face, and since I was using a pen, I couldn't fix it...so I decided to go with it fully and make the background behind her dark as well to fit the mood.
I'm still happy with how it came out :) it's just...way different then how I planned it in my head.
Starring MGMT: Weekend Wars (2007). Let me tell you a story about reading about wars and craving for a future in peace. About the Beatles singing about a revolution to change the world. About people being too occupied with their own lives to "paint or write or try to make a change". Tricolor linoprint using one lino plate. August, 2020.
The first time I tried to draw a portrait. It was more than a year now since I have finished this photo. I know that the portrait is not that perfect, but I really enjoyed making it and I have learned a lot.
Some of my friends got drunk and came up with this idea that my best friend was a god. For whatever reason they decided Hopsin and Billie are the other two major gods. So this is part of a joke we have been pulling on him. Could have worked harder editing it but it’s all for fun. Thought I’d share it.
On December 2017, after my frineds and I exhanged gifts, we thought "why don't we do it next year?? Valentine's Day!" So in January 2018, we got our picks and our theme was "Something Effort" since it's important in every relationship. Since then I started making this, every day I would add some details. I was lucky to know that the one I picked likes Game of Thrones so there. Made with air dry clay then painted with acrylic paint.
"Industrial Timeout" presents a meticulously rendered scene of solitude and tension within a utilitarian setting. The composition is split between a vast, empty white space and a tightly constrained, detailed industrial corner. In the foreground, a single, unassuming cardboard box sits on a pallet. It is labeled "FRAGILE" and "M.P.C." (possibly a reference to 'Minimum Package Content' or a similar industrial acronym), suggesting a precious, yet standardized, cargo awaiting movement.
A playful, mixed-media tribute to the aquarium life. This piece captures a slice of a fish's world, complete with a warning to "Keep Lid Closed", miniature castle, forgotten net, and a $75 price tag on a fish. It's a whimsical look at the serious business of pet fish ownership.
Hi! I just now created this page because I have a problem!! I love the idea of drawing (digital, graphite, markers, microns you name it), BUT I never actually get anything finished. It's a curse that has haunted me my entire life. Any good advice on how to stay consistent and follow through with your drawings? This one I've been doodling with Sketchable, using the photo to the left as reference just to eyeball off. I worked on it for a few days and was super inspired and now a year has passed from that (!!!) and It's still in this stage of almost done but I'm struggling with getting back into it..
On t-4 days before the shelter in place order came down, I went to the library and checked out a bunch of books for my son just in case the libraries closed (the libraries closed the next day). Two of them are on tsunamis, which my son is obsessed with. We were reading them this morning, and they put Bali on my mind. This voice kept singing, "jungle, jungle, more jungle!" while I was drawing this.
My project for a skillshare course I am taking. I am trying to work on developing more textures and drama to my paintings as well as improving on the composition. Any advice or tips that you can share would be appreciated. Thanks!
Painted as a project for Painting Environments class: skl.sh/32Khrti
Project parameters:
- Mysterious Cave
- Dark but with moody lighting
- Mostly warm colors but with single blue flower
- Flower is the focal point - use composition to lead eye to flower
This is the first and only portrait I've done of my daughter [Rae] when I decided to get back into drawing and start trying portraits 2 yrs ago. I've worked on other portraits since and my skills are improving however this is still one of my favs
In “I Love Lamp,” Ty Patmore blends nostalgia, humor, and subtle unease into a surreal domestic scene where time, space, and memory feel slightly off-center. A lava lamp—softly glowing with drifting shapes—sits on a worn wooden table, acting as the sole beacon of warmth inside a room that is quietly falling apart. The wallpaper peels back to reveal fractured brick beneath, as if the structure itself is shedding its old skin.
A melting wall clock drips down the surface like time losing its grip, while a framed picture of a UFO drifting over pine trees hints that even the outside world may not be quite right. Every object bends reality just enough to make the viewer question whether this room is comforting… or unsettling.
