Color Pencil over Gesture. It was a contemplative day in the art classroom. Students were drawing self portraits and I had time to join them. Our discussion was on 'Reflection'. The image we see of ourselves in the mirror is not what people see when they look at us. They see the reverse. The mole on my cheek is on the other side of my face, if you were to look at me in person. This leads to discussions of perception and reality. It can be fun and humbling. We cannot live only by sight. We must have a faith of some sort. This reminds me of the Michael Feldman Public Radio Program called: "Whad'Ya Know?" It opens with the audience shouting: "Whad'd Ya Know?" and Michael replying: "Not Much! You?". We do not know much, I think, as much as we like to pretend that we think we do.
This is a quick study of a work by the famous painter from New York. I need to improve my art because at the moment I am not turning out good pieces.You know, we never see the early art that the great artists did. I am not critising the famous artists for their early work, but the public never see the progress that Van Gogh or Picasso made in their early years. It gives the impression that they just sarted out as great artists, which is not the case.I did this study purely as an educational endevor.
An article/rant/annotation to an illustration. A #Hackney bar and its flies.
This picture is not as sad and blue as it might at first seem, I promise.
It is early in the week and the pub becomes the territory of the most outspoken drinkers. Raised somewhere between Churchill and Harold MacMillan, a night such as this is time for them to spin out a yarn of nostalgic fantasy. Encouraged by the lack of a crowd and with space to fill, statements start to fly.
In the opening rounds the barman athletically hits back with factual blocks and reality-check haymakers; statistics and personal experiences are given. Two histories cross examined, one where 1982 means Thatcher and the Falklands, the other renders Reagan and the AIDS crisis. Stoicism and national pride vs mental health and realism.
In the latter rounds the barman is fatigued, swaying on the backbar, glasses begin to stack up as form begins to drop. The older men seem stronger than ever.
The barflies come in close now, they scrutinise his generations work ethic and make wild political comments on poverty, immigrants and the minimum wage.
The barman is close to sheer bloody despair, he maintains his defence and focuses on breathing while maintaining his professional stance.
But at the end of the night the barman knows HE will ring that bell, they will politely leave and they will return again in a week and maybe, just maybe there will be a change, common ground or maybe at least polite silence.
But what these interactions have given despite the salt in the eye is community and an exchange between generations, culture and class of those participating. No home is ever straight forward, no relative without their good and bad traits and in a world where we often slide into echo chambers online or in our physical environments, the pub is still a place where society is family, face to face, pint to pint. Or maybe it's just a room with alcohol on tap?
After 1-2 week ago i had a lot of work and had a stress.So on this weekend in a evening i went out for relax time with my closefriend and enjoy with jazz song night. Then I come back to sketch with watercolor for my memory.
I have avoided social media for a couple of months now as it was making me unproductive, unmotivated and all-round less creative. I miss the community of creative social media so I have made this account to post my art anonymously: good or bad; finished or not; unedited and unfiltered. I hold back a lot when making art and even more so when publishing it. This is an opportunity to change that. This is a quick self-portrait just to force myself into creating anything today.
Part of a huge doodle. Started as a doodle while I talked to a friend on the phone. She was one of those non-stop-don't-interupt-me talkers. I got hours of work done while on the phone. It ended up being purchased by our local public gallery for $4,000 bucks. Not bad! And I may use it in a future children's book.
I stumbled across this dilapidated coach house that would have once been part of the Glynhir estate while exploring the public footpaths around Llandybie. I loved the way nature had reclaimed it.
Public art show "Cruisin the Square" for our town, Pontiac, IL. Local artists were given a fiberglass car or truck to alter as they wished. I turned mine into what might happen if I journaled on my car as I traveled Route 66.
One of dozens of cartoons I created the last couple of years. A little voice is telling me to get these published in a book. If the voice gets louder, it will happen. In the meantime, I'm brainstorming and filling my sketchbook.
Medium : Pen and ink on Bristol Board
Size : 11" x 15 "
Year illustration was done : 1987
This rendering of a broken down wagon, is part of a group of Pen and ink illustrations I did for a christian mission , for their pamphlet that was put together to imform the public about their services and ministry to the military members and their families. This mission reaches out to miltary through offering hospitality, Bible studies, holding retreats, and hosting luncheons for church groups.
Military soldier who are in training also would come out to the rach to spend the weekend off post, to rest, learn the Bible , get home cooked meals, and enjoy out door recreation.
I work as a summer missionary with this mission a couple of summer, helping with up keep of the ranch and helping with conducting the retreats.
written by Stephen J. Vattimo
Réalisation d'une affiche/programme A3 pour la saison 2018/2019 des Spectaculaires de L'Excelsior.
des spectacles de théâtre, d’objets, marionnettes, cirque présentés en séances Tout Public à la Salle Jean Carmet à Allonnes près du Mans. http://lexcelsior.fr/category/les-spectaculaires/
The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “.
Some of her work focuses on women, and they incorporate criticism and cultural protest.
Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia.
Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics.
The structural composition of some of the works is influenced also by her many years of working in the architects’ office.
Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.
I'm hoping to finish off this children's book this year. It's a lot of work. Too many illustrations - so many the printing cost will jump, so I might have to find a publisher for this one, rather than self-publish. This is acrylic on paper.
I did this artwork for a public art exhibition called "Home is where the Art is". Initially the drawing was supposed to just be a open mouth with a snake coming out of it but I felt that it lacked a story and a strong enough message so I drew the other snakes on and added the 2 other faces. The story behind this image is entirely up to the viewer but my take on it was that different people react differently to certain information, my main focus was the distribution of secrets and since many teenager refer to people that let their secrets loose as snakes I thought why not depict it in that form. The drawing displays three reactions to learning another's secret, one passes the secret on to another, the other defends it ferociously in your face but lets it slip loose when nobodies looking and the other receives the information and holds onto it
Did your cat do this during the pandemic? I have read the stories online! It's a T.P. massacre here for sure! R.I.P. T.P.! Check out the rest of my Inktober posts on IG: @dittofunkysketch123 :D And now I have some of these illustrations on teepublic! Search under 'sketchcadet'! :D
