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composition

Art Craft Land Art Craft Land
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Paperclips mountain by Jaffa Meir

The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “. Some of her work focuses on women, and they incorporate criticism and cultural protest. Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia. Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics. The structural composition of some of the works is influenced also by her many years of working in the architects’ office. Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.

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Art Craft Land Art Craft Land
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Home by Jaffa Meir

The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “. Some of her work focuses on women, and they incorporate criticism and cultural protest. Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia. Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics. The structural composition of some of the works is influenced also by her many years of working in the architects’ office. Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.

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Kurtis D Edwards Kurtis D Edwards Plus Member
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Cat in a Tunnel

I painted one of my cats, Banana, in a cat tunnel. The coloring in the photo was muted, so I worked on color and fabric texture. I am thrilled with her facial expression, and the overall composition feels good. This is not AI nor is any element made from AI.

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NAJ NAJ
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self synthesis in cerulean

i want to peel off ur skin delicately and pry out ur eyeballs with care i want to witness the bare white of ur bones and ur fragile composition

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Abby Fichtner Abby Fichtner
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Master Study of Kay Nielsens 1912 illustration from In Powder and Crinoline. Graphite. 11

"She stopped to speak to him, altering her mind, and went on her way." Trying to learn more about Kay Nielsen's style. He illustrated folk and fairy tales in the early 1900s for Grimm and Disney and others. I love his dark/moody style with everything so flowy, elongated, elegant, and tragic. And his amazing compositions.

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Kurtis D Edwards Kurtis D Edwards Plus Member
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Baobab Tree at Sunrise

I gravitated towards the fony baobab, a real type of baobab. Sadly, all baobabs are in decline, which informed my composition. I used pastel earth tones and a lot of blacks. Digitally hand-drawn in Rebelle 6

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Izabela Izabela
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A Family of Trees. Whimsical illustration - Day 16.

I changed the composition, types of silhouettes, and background texture a few times. I didn't have any expectations about the finished work. It was a creative flow with many changes. I think the creative process looks like this. Don't be afraid to try. If you make your art digitally, it's simple. You can: - create a new layer, - use shortcut Ctrl+Z. In traditional art, it depends on the art supplies you use. Sometimes you can try more times. Sometimes you need to start again. But any attempt is better than giving up.

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Kurtis D Edwards Kurtis D Edwards Plus Member
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Tyre Flies 12x24

Yet another senseless lynching that has me here with a broken heart. Like my other paintings on this subject, I wanted to focus on life. Tyre was dynamic and energetic, so I wanted to paint him soring. I also wanted to paint him defiant in the face of his oppressors. He was a skater, and they are no strangers to defiance. Thankfully, I found some excellent references to help me with the composition. Aesthetically, I wanted the comp to be modern, colorful, and hopefully impactful. I went for a pop art, illustration, and false-color vibe and minimized blending and refining layer edges. I painted this in Rebelle 6 and Photoshop. Much respect.

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Kurtis D Edwards Kurtis D Edwards Plus Member
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Mariah Carey Merry Christmas to All

Shes served her best Christmas with an enormous train led by Brain Tanaka. I used charcoal and pastel brushes in Rebelle 6. I wanted a really simple composition so I could focus on her dress and their pose together. Happy Holidays everyone.

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Kazrarr Kazrarr
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Happy little cabin

A Bob Ross inspired painting, for the Digital Painting Studio challenge, I know composition is a bit off, but I'm still pretty satisfied with the end result, and sometimes, you just have to let go of the image and work on something else...

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Sneezy Sneezy
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VOLCANA

VOLCANA (MARVEL COMICS) DONE 2015. ORIGINAL ART WAS THROWN AWAY Marsha Rosenberg was born in Denver, Colorado. She was a day care center employee who, along with her friend Skeeter, was among the residents of Denver transported to the Beyonder's "Battleworld" during Marvel Comics' first Secret Wars limited series. Seeking power and respect, she and Skeeter agreed to serve Doctor Doom in exchange for super powers. Doctor Doom had learned how to operate a machine utilizing alien technology. He used it to grant Rosenberg the ability to transform into a molten lava form with powerful thermal energy blasts, hence her codename "Volcana". She allied herself with Doctor Doom and the criminal faction and battled the She-Hulk in a confrontation with the heroic faction.[1] During the series, she developed a relationship with the supervillain Molecule Man, Owen Reece.[2] She bargained with the Enchantress,[3] and then battled the Enchantress with the intent to renege on her bargain.[4] During the Secret Wars II limited series, Marsha was residing back on Earth with Owen Reece. They hosted the Beyonder upon his arrival on Earth.[5] She tricked the Molecule Man into challenging the Beyonder[6] and then participated in the defeat of the Beyonder.[7] Some time later she accompanied the Molecule Man and the Fantastic Four to the Beyonder's universe. She separated from the Molecule Man when he apparently became irrevocably merged into another "cosmic cube" along with the Beyonder. Unlike her friend Skeeter who became the supervillainess Titania, Marsha did some superhero work.[8] She battled the Wizard[9] and Moonstone.[10] Volcana assisted the Avengers in repairing the damage to the Earth's crust caused by the Beyonder.[11] Volcana later took a comatose Molecule Man to the army hospital. After Molecule Man recovered, he turned the tent they were in into a hot air balloon as Captain Marvel's hologram wanted to talk. Volcana destroyed the projection. Because of the Silver Surfer, Volcana and Molecule Man were redirected to the Avengers and the Fantastic Four. After a brief fight, Molecule Man and Volcana were allowed to return to their apartment in Denver.[12] Later, she was briefly reunited with a de-powered Molecule Man (who had mysteriously returned to Earth) and battled Klaw. It was at that time that she gained the ability to assume volcanic rock and volcanic ash forms. She subsequently discovered that, just before his supposed "death," Molecule Man had secretly "willed" her a portion of his reality-warping power, and it was this power that gave her the ability to manifest these other forms at critical times, just when she needed them. Once he regained his power from her, she found herself no longer able to tolerate the darker side of his personality. She terminated their relationship, although Molecule Man vowed to one day prove his full love to her.[13] After losing a lot of weight, Volcana attended the wedding of Absorbing Man and Titania. Marsha discovered that Molecule Man was also invited. When Volcana went to check up on Titania following the supervillain attendees' fight with She-Hulk, she encountered Crystal, and Hydro-Man arrived to help Volcana until Crystal was defeated by Molecule Man.[14] Molecule Man still pined for Volcana. He captured Doc Samson, and after a fight with Doc Samson and She-Hulk, Molecule Man escaped and used his powers to carve Volcana's face in Mount Rushmore. Marsha saw the news of this on TV but did not suspect that Molecule Man was who made it happen.[15] During the "Fear Itself" storyline, Titania commented how Volcana just came along for the ride back when Titania was brought to Battleworld as she tells Dr. Wooster at the Farnum Observational Facility in Upstate New York.[16] Nightwatch later hired Volcana and Titania to fight She-Hulk in order to keep her from getting the documents that would incriminate him. With the help of her secretary Angie Huang, her supernatural monkey Hei Hei, and Hellcat, She-Hulk was able to defeat them with Huang redirecting Volcana's fire attack back to Volcana enough to melt her.[17] Powers and abilities Marsha Rosenberg gained superhuman powers through genetic manipulation by highly advanced technology performed by Doctor Doom. As Volcana, she originally had the ability to convert her entire body into a plasma form, in which she blazes with white-hot intensity, at times setting aflame any surface beneath her. In her human form, the 6 ft 5 in (1.96 m)[citation needed] tall Marsha has long black hair, and often wears only her magenta-colored swimsuit; her clothing is manufactured from unstable molecules, thus it is not destroyed when she is in her plasma form. The alien technology that empowered her makes her powers totally undetectable when she is in human form. Her plasma form grants her superhuman durability and consists of highly charged particles which surround her in white-hot flame and is able to emit controlled bursts of thermal energy up to 40 ft (12 m).[citation needed] She later gained the ability to convert her body into a stone form, a volcanic rock (basalt)-like composition which still enables movement and grants her superhuman strength. She subsequently gained an ash form, a volcanic ash (pumice)-like composition whose configuration she can shift, shape and control at will. Volcana cannot make partial transformations; she can possess the attributes of only one of her forms at a time. Monitoring devices subcutaneously implanted by Doctor Doom can be triggered to stimulate the aggression centers of her brain.

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Mauro Lira Mauro Lira
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LoTR - The Rings of Power fanart

Keyframe painting study, done to improve my composition skills. Process here: https://www.artstation.com/mauroliraart

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Kurtis D Edwards Kurtis D Edwards Plus Member
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Looking Away portrait

I want the composition to be thoughtful but on the sad side. My skill practice was brush strokes and blending (but not overdoing the blending) as I try to figure out how I stylize as an artist. Still working in the realm of realism and proportions as I am a newbie, but wanna flex into stylization a bit more. I did this through Rebelle 5, which is absolutely amazing, IMO.

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Kurtis D Edwards Kurtis D Edwards Plus Member
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Portrait of Brianna Grier

In July of 2022, Brianna Grier died falling out of a moving police car while having a mental health breakdown. Since Brianna passed, I have been heartbroken for her twins and family but also reflecting on my struggle with mental health. Mental health needs compassion and empathy, not police and punishment. The brunch strokes are purposeful, but I completed them with empathy in mind. I want to keep the composition simple but filled with meaning. The color theme represents vastness and loneliness, but also kinetic energy found in warm orange tones.

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Kurtis D Edwards Kurtis D Edwards Plus Member
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Portrait of Bob the Drag Queen

Bob the Drag Queen is a legendary performer and personality. She is one of my favorite people. I kept the composition simple to focus on shading and facial dimensions. I paid close attention to not lightening her skin tone and respecting her heritage but also contrasting the gold dress and blue background.

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David Wilson David Wilson
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Day Dream

Imaginary composition of images. Pencil.

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Kurtis D Edwards Kurtis D Edwards Plus Member
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For the Likes

Take it how you want. You either give everything to social media, or it takes everything from you. In the end, you are left naked and hollow. I wanted to make this a simple composition at its core. The image is more about the message. Times Square took forever to put together, I think the perspective is off just a bit. Overall, I think I did well with shading and depth. I am also improving on drawing/painting the human form. I wish I could trust in shapes and form and go a bit more abstract, but I think that will come with experience.

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Caden Hoyt Caden Hoyt
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Tenzing Norgay

Really working on the composition of a face, trying to draw it as a whole face rather than as the separate parts of a face Still need some practice but I'm not unhappy with the result

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Agnes Agnes
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O Labirinto

Sometimes we see ourselves in a labirinth in which it's hard to make just one choice among many others and how it can affect our future. It's like going to the supermartket and seeing so many products of the same type and either you pick the same old or you just stare at them not knowing which one is the best and you waist your time reading the composition of each one to choose the one that suits you better.

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Pankaj Pankaj
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eBay Logo Redesign

We improved visually eBay logo composition and concept for the next position. It is a dummy project. Need a logo design? Email evenflowstudio@gmail.com

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kritika goyal kritika goyal
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Life As A Journey Ink

Life is full of difficulties and hurdle. A mixed bag of happy and sad days. But when it comes to measuring them, we tend to weigh them towards the difficult ones more forgetting or avoiding the happy ones. This illustration is a composition to share how small or short life is to worry about tough times. Instead we can focus on being positive and happy and live every moment fully

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Psylent Psylent
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Thorny Mess

Abstract composition of thorns or horns on sour keys/soothers. Pen and paper drawing.

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Dzikawa Dzikawa
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Ciri from The Witcher 3: Wild Hunt

We have finished the second season of The Witcher and I was inspired to make a composition with Cirilla. I have decided to take the visuals from the game where Ciri is already a grown up and became very strong. Behind her is Geralt who looks after her. I hope you like the story as much as I do! https://www.youtube.com/watch?v=m6cfNkwJY6k

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Vadim Vadim
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Cityscape

Composition exploration sketch for a 2,5x1m line art illustration on canvas. 2019

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Misti Misti
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Mouth/teeth study
1/2

In trying to improve my composition of the human form I am breaking it down to individual studies. I welcome your feedback!

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Jasmin Jasmin
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Inktober 1 - Crystal

I decided to explore negative space, hoping to develop a better sense of composition.

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David Corkery David Corkery Plus Member
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The painting is from were I grew up.

I tried to use my imagination for this, but I had to fall back on photo reference, to finish it. THe problem with the composition is I did not use a background colour. I did this about 3 years ago. Their are mountains in the background.

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Bleu Hope Bleu Hope Plus Member
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“What’s Noo Their (Composition For Sea Dragons And A Malapropism Of Mine)”, February 2021.

Repeated psych-folk listenings/last night’s drunken pretensions informed a misspelling of things or two...

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Joyia Echols Joyia Echols
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Light and Shadow Studies

I've been looking at film stills and using them as a basis to understand how light and shadow can work effectively in a composition.

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Ray Ray
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Rajasthan, India

Village women walking along the desert carrying water in clay pots.

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